National Trust Take Over Ironbridge Gorge Museum Trust in ‘Landmark Moment’ for UK Industrial Heritage

The Department for Digital, Culture, Media and Sport (DCMS) has announced (16 October 2025) that the National Trust will be taking over the Ironbridge Gorge Museums Trust in spring 2026, securing their future, with the aide of a £9 million Government grant from the ‘Plan for Change’ fund. The Museum Trust, formed in 1967 and within the Ironbridge Gorge UNESCO World Heritage Site, is one of the UK’s largest independent museums and the custodian of some of the nation’s most significant industrial heritage. Like many industrial heritage sites in England the Trust has been dealing with increased costs, climate change, and lower vistor numbers since the pandemic.

Museum of the Gorge. Image Copyright Dr Michael Nevell.

This funding will enable the transfer of the Ironbridge Gorge museums to the National Trust, securing the future of this internationally significant heritage site and ensuring continued access to Britain’s industrial heritage for hundreds of thousands of annual visitors.  The Ironbridge Gorge was designated as one of Britain’s first UNESCO World Heritage Sites in 1986, recognising its pivotal role as the epicentre of 18th century world industrialisation. The site encompasses 10 museums (Blists Hill Victorian Town, Enginuity, Coalbrookdale Museum of Iron, the Old Furnace, the Darby houses, the Museum of the Gorge, the Ironbridge Tollhouse, the Tar Tunnel, Coalport China Museum, Jackfield Tile Museum and Broseley Pipeworks), and 35 listed heritage buildings and Scheduled Monuments, and attracts 330,000 visitors annually. Its Nationally Designated collection includes more than 400,000 objects, representing a rich and unique record of Britain’s industrial past.

Lisa Nandy, Secretary of State for the Department of Digital, Media, Culture and Sport, visited Abraham Darby I’s furnace and Coalbrookdale Museum to make the announcement. She stated that: “As the birthplace of the Industrial Revolution, it is absolutely vital that the museums in the Ironbridge Gorge are protected as a key heritage asset in this country and a significant contributor to jobs and the economy in the Shropshire area.” Speaking to the Shropshire Star on Thursaday she also noted that: “One of the first things that came across my desk in 2024 when we were first elected was Ironbridge. It has been struggling like every heritage site in the country with visitor numbers post pandemic, but it also takes a lot of funding to continue to invest and protect the condition of this incredibly important historic site….It was urgent. If we hadn’t intervened and formed this partnership with the National trust I think it is fair to say that people who grew up coming here as children would not be bringing their children and grandchildren here in future years. So we were determined we were going to step up and support this, and to back that with a financial down-payment of £9m to demonstrate our commitment not just to Ironbridge, which is one of the most important sites in the country but to our industrial heritage, because the history of this country is not just the history of kings and queens and stately homes, it is the story of the most extraordinary people the length and breadth of Britain, people’s parents and grandparents, ordinary people who powered this country, built our wealth and influence and shaped who we are today.”

Councillor Carolyn Healy, Telford & Wrekin Council’s Cabinet Member for Neighbourhoods, Planning & Sustainability, noted that: “This is a landmark moment for our Borough and for heritage conservation nationally. The Ironbridge Gorge Museum Trust, including the many local people who have worked for the trust over the years, has been an outstanding custodian of our industrial heritage.”

Hilary McGrady, Director General of the National Trust, said “The Ironbridge Gorge is widely regarded as the birthplace of the Industrial Revolution, which paved the way for the scientific and technological innovation that defines our world today. The site is an example of British ingenuity, a source of immense national and community pride and a distinct and much-loved icon of our shared heritage. I cannot think of something more at home in the National Trust’s care – an institution built to protect and preserve the things our nation loves on behalf of everyone, everywhere.”

Mark Pemberton, Chairman of the Board of Trustees for IGMT commented that, “We are incredibly pleased to have secured the long-term future of the Museum by its transfer to the National Trust. The £9m investment by DCMS is recognition of the global significance and national importance of Ironbridge. Ironbridge was important as the birthplace of industry and as a major tourist destination it now plays a part in the success of the local economy. Ensuring a smooth transition, and in particular supporting IGMT’s staff and volunteers throughout the transition period, is now our priority.”

The full UK Government statement can be found here: https://www.gov.uk/government/news/shropshires-ironbridge-gorge-museums-saved-for-the-nation

For the full Shropshire Star interview with the DCMS Secretary of State, Lisa Nandy, follow this link: https://www.shropshirestar.com/news/local-hubs/telford/ironbridge/2025/10/16/national-trust-to-take-over-ironbridge-museums-with-9m-government-grant/

Abraham Darby’s 1709 iron furnace at Ironbridge. Image copyright Dr Michael Nevell.

Industrial Museums Amongst Museum Renewal Fund Recipients

Seventy-five civic museums across England will share £20m through the UK Government’s Museum Renewal Fund. The monies will be distributed Arts Council England. The funding forms part of the £270 million ‘Arts Everywhere Fund’ launched in February 2025. The funding will be used by museums to support work towards stabilising their financial situation and building towards sustainable and thriving futures. It must be spent by the end of January 2026.

Local authority and other civic musuems services with industrial sites receiving more than £5 million in funding include:

  • Barnsley Museums (£266,273)
  • Birmingham Museums Trust (£994,742)
  • Bradford Museums and Galleries (£125,000)
  • Bridport Museum Trust (£29,218)
  • Bristol Museums (£495,320)
  • Chatham Historic Dockyard Trust (£533,084)
  • Dean Heritage Centre (Forest of Dean) (£58,285)
  • Derby Museums (£799,700)
  • Leeds Museums and Galleries (£952,000)
  • Museum of Royal Worcester CIO (£228,343)
  • Norfolk Museums Service (£360,000)
  • People’s History Museum (Manchester) (£652,157)
  • The Food Museum (£351,112)
  • The World of Glass (St Helens) (£286,000)

The full list of museums supported, and further details, can be found here: https://www.artscouncil.org.uk/creative-matters/news/museum-renewal-fund-stabilising-now-building-future

Dean Heritage Centre, Forest of Dean. Image courset of Dean Heritage Centre.

Conservation Work at Three Windmills Completed

Conservation and restoration work at three windmills has been finished ahead of the winter. Heage Windmill in Derbyshire, Meopham Windmill in Kent, and the White Mill, also in Kent, have been undergoing programnmes of conservation and restoration work for several years.

Heage Windmill was restored in 2002, but the Grade II* listed building required further work due to weather-related erosion to the exterior stonework and increased damp inside the building. Following consultation with Historic England, the Heage Windmill Society secured £30,000 in funding from the Association for Industrial Archaeology (AIA) and the Headley Trust for the works to go ahead. Work on the sails and caps was carried out in 2023, and now repair work on the stone tower has been completed.

Grade II* listed Meopham Windmill, which was built around 1820, had fallen into disrepair. Kent County Council purchased the mill, known for its rare six-sided design, in 1959. A £300,000 restoration programme has seen it reconstructed with new mechanisms, revitalised grounds, and its sweeps restored. The funding for the restoration came from a collaboration between KCC, Meopham Windmill Trust, Suffolk Millwrights, and the local community.

Finally, the Grade II listed White Mill in Sandwich, Kent, had its four sails restored and reinstated in September. The windmill was built in 1760 and served the community as a working mill until the 20th Century, before it became disused in 1957. The White Mill Rural Heritage Centre said the landmark was partly restored in the 1960s, but over the past five years it had undergone more extensive works, and that repairing the historic industrial machinery was a “major testament to the power of volunteering and the important role it plays in the community”.

Further details on these restoration projects can be found on these links:

https://www.bbc.co.uk/news/articles/c7841j4n2q3o.amp

https://www.bbc.co.uk/news/articles/cp8w0nw9kp9o.amp

Heage Windmill during restoration. Image courtesy of Heage Windmill Society.

New IHSO Podcast: Preserving Cheddleton Flint Mill

The lastest industrial heritage podcast from the IHSO project is now available to listen and download. This episode is an interview with Nick Smith, one of a small group of volunteers at Cheddleton Flint Mill in Staffordshire and a trustee of the trust that looks after the site.

The aim of this podcast was to hear from Nick about the mill’s history, to discuss how the site was saved, and how it has been conserved for future generations. You can learn more about the mill and current events on site here: https://cheddletonflintmill.com/

This podcast is part of the wider Archaeotea podcast series recorded by the IHSO, Dr Michael Nevell. You can follow this link to listen to the new episode.

https://creators.spotify.com/pod/profile/archaeotea-podcast/episodes/Preserving-Cheddleton-Flint-Mill-e378aga/a-ac4aeos

The two waterwheels at Cheddleton Flint Mill, Staffordshire. Image copyright Dr Michael Nevell.

Industrial Heritage Sites Benefit from New Conservation Grants

Industrial Heritage sites in England are amongst 37 heritage sites set to receive £15 million in funding as a part of the Government’s ‘Heritage At Risk’ fund. The funding will go towards repair works and the conservation of heritage buildings at risk, and is a part of the Government’s £270 million ‘Arts Everywhere Fund’. The fund has prioritised projects that will restore heritage sites serving disadvantaged communities and which demonstrate strong local benefits, from job creation to cultural events.

The industrial sites receiving funding are:

  • Woodhorn Colliery Shaft Heads, Ashington, Northumberland – £997,265 
  • National Waterways Museum, Ellesmere Port – £250,000
  • Treadgolds, Portsea, Portsmouth – £485,200
  • The Folk Pin Factory (Grade II), Gloucester Civic Trust – £142,871

Follow this link for further details: https://www.gov.uk/government/news/37-local-heritage-sites-to-benefit-from-15-million-boost-to-breathe-new-life-into-communities-across-england

National Waterways Museum, Ellesmere Port, is owned and run by the Canal & River Trust. Image copyright Dr Michael Nevell.

National Trust Secures £2.75m for Castlefield Viaduct Expansion

The National Trust has announced major funding to double the length of its Manchester’s Castlefield Viaduct “sky park” from 150m to 350m. The £2.75m needed will come from National Highways (£2.4m), Manchester City Council (£100k), Greater Manchester Combined Authority (£100k), and Railway Heritage Trust (£150k).

Opened in 2022 the extended ‘sky park’ will add improved accessibility via a new western entrance with lift access, making it a through-route for the first time. The expanded park will also feature WaterAid’s gold medal-winning garden from the 2024 RHS Chelsea Flower Show. It s expected to open in summer 2026. The viaduct is open Wednesday – Sunday 10am – 5pm, with no booking needed.

The Castlefield viaduct was built in the late 1870s by the Cheshire Lines Committee railway to service the former Central Station and was opened in 1880. Further details on the project here: https://www.nationaltrust.org.uk/visit/cheshire-greater-manchester/castlefield-viaduct

Designs for the planned extension at the Castlefield viaduct. Image courtesy of National Trust.

Mills Archive Trust Launch ‘Caring for an Icon’ Crowd Funder

The Mills Archive Trust need your help locating the records of past millers and millwrights, preserving them in their archive, and making them accessible to modern craftsmen. With this in mind they have launched a new crowd funding appeal – ‘Caring for an Icon’.

The Trust are looking to preserving these records in their archive and make them accessible to modern craftsmen, thereby helping to train the next generation. In order to do that they need to raise significant sums to safe guard the future of these archives.

Folow this link to donate ot the ‘Carings for an Icon’ appeal: https://new.millsarchive.org/caring-for-an-icon/

The Mills Archive Trust is the custodian of the history of mills and milling. They safeguard the stories, skills, and traditions that mills embody. This expertise allows the Trust to protect, interpret, and open access to this rich history. Mills shaped the foundations of the modern world, and the Trust ensure’s that their legacy continues to inspire.

A millwright at work. Image courtesy of Mills Archive Trust.

Beamish Wins Art Fund Museum of the Year 2025

Beamish, The Living Museum of the North, has won the Art Fund Museum of the Year for 2025 and has been presented with £120,000 – the largest museum prize in the world. The 350-acre site impressed the judges away with its ‘joyous, immersive, and unique’ exhibitions.

Beamish’s commitment to preserving local heritage was recognised by the Art Fund, with Rhiannon Hiles, Chief Executive of Beamish, being presented with the award during a ceremony at the Museum of Liverpool.

Jenny Waldman, Director of Art Fund and chair of the judges for Art Fund Museum of the Year, said: “Beamish is a museum brought to life by people – a joyous, immersive and unique place shaped by the stories and experiences of its community. The judges were blown away by the remarkable attention to detail of its exhibits across a 350-acre site and by the passion of its staff and volunteers.”

Beamish, which opened in 1970, is an open-air museum that brings to life the North East of England’s Georgian, Edwardian, 1940s and 1950s history, through immersive exhibits where visitors engage with costumed staff and volunteers, and experience regional stories of everyday life. In 2024, the museum welcomed over 838,630 visitors and remains the region’s most visited attraction and museum.

For more details follow this link: https://www.beamish.org.uk/news/beamish-wins-120000-art-fund-museum-of-the-year-2025-award/

Edwardian street scene at Beamish. Image courtesy of Beamish, Living Museum of the North.

The Long Shop Museum Recieves £14,000 Aim Grant for Revamped Gallery

The Association of Independent Museums (AIM) have announced the winners of the inaugural Museum Fundamentals grants. Funded by the Pilgrim Trust and The Julia Rausing Trust and launched in December 2024, the AIM Museum Fundamentals grant is designed to respond to the varied needs of AIM members.

Amongst the initial round of 12 grants is a succesful application from The Long Shop Muaseum in Suffolk to redesign and redisplay the ‘Made in Leiston’ gallery. The design and content of the new exhibition is based on audience research conducted over the last two seasons. The new displays will focus on unlocking the social history of the town and the people who lived and worked there over a 250-year span, and on technological change. The Long Shop Museum was founded in 1984. It is housed in a cluster of historic buildings in the Suffolk market town of Leiston. The buildings are survivors of the original 19th century engineering works site of Richard Garrett and Sons who specialised in famring machinery. Further details here:

https://www.longshopmuseum.co.uk/

The AIM Museum Fundamentals grant is funded by the Pilgrim Trust and The Julia Rausing Trust, and launched in December 2024. It combines the valued collections care and conservation funding supported by the Pilgrim Trust with new funding from The Julia Rausing Trust. AIM members can apply for up to £20,000 for funding to undertake a collections-based project. If you’re interested in applying to Museum Fundamentals, expressions of interest for the next round are welcome until Friday 8 August. Further details here: https://aim-museums.co.uk/news/first-aim-museum-fundamentals-awards-made/

Long Shop, Leiston, Suffolk. Image copyright The Long Shop Museum.

Ironbridge ‘Getting Us Winding Again’ Appeal Recieves Significant Donation

The Winding Engine at Blists Hill Victorian Town is one of the Ironbridge Gorge Museum Trust’s earliest and most significant exhibits. One of the very few preserved steam winding engines – and of even fewer able to wind up and down a historic mine shaft – it has been out of action since 2018. To repair and restore this machinery will cost £100,000. A fudn was setup in 2024 to raise this amount, and it has recently recieved a genrous donation from the 29th May 1961 Charitable Trust.

Winding head gear at Blists Hill, Ironbridge. Image copyright Dr Michael Nevell.

When it is working, the Winding Engine exhibit can bring the sounds, smells and sights of a working engine to life for our visitors. It helps us tell the story of the men, women and children who worked in Shropshire mines and the daily dangers they faced. It also demonstrates a vital feature of mining and the development of mining and engineering during the Industrial Revolution. 

The phased plan for work will see the pit head, boiler house, and engine house refurbished, the mine shaft inspected and cage refit. The work will primarily be carried out by IGMT’s Steam Team, expert volunteers, supported by our Steam Engineer and outside contractors.

More money still needs to be raised, so if you would like to contribute to getting the engine winding again follow this link:

https://www.ironbridge.org.uk/about-us/support-us/get-us-winding-again/

The winding engine at Blists Hill, Ironbridge, spring 2025. Image coyrigth Dr Michael Nevell.